Issue 5 Guest Editor Announcement

Standard

We here at Sobotka are excited to announce that Grant Garland will be joining us to help edit our fifth issue this winter. Grant is a graduate of the English Department at the University of Illinois at Urbana-Champaign, former editor of Montage, founder of literary podcast Middle Literate, and contributed to our first issue back in 2014. We’re proud to have him on board as our first guest editor and can’t wait to see what lands in our submission pile for Issue 5!

GrantBW

Advertisements

Wordsmith Wednesday: Nas’ “One Love”

Standard

Our words this week come from Nas’ track “One Love” off of his 1994 classic, Illmatic.

The lines are:

“But, yo, guess who got shot in the dome piece?
Jerome’s niece on her way home from Jones Beach
It’s bugged, plus Little Rob is selling drugs on the dime
Hanging out with young thugs that all carry 9s
And night time is more trife than ever
What up with Cormega? Did you see him? Are y’all together?”

The textual cadence of these words is only a shadow of the spoken delivery, but the internal rhymes and crisp colloquiality of Nas’ lyrics are undeniable. Illmatic is full of dense, image intensive verses but the stylized envisioning of letters to jailed friends found on “One Love” has always stood out to me. The conversational relation of urban tragedy/reality is presented with such familiarity and frankness that I instantly relate to the unnamed recipient of Nas’ news. I feel the sadness of a little girl from the neighborhood being shot dead while walking home. I feel the anger of knowing another young kid from the block is getting involved in the same nonsense that killed that innocent child. I feel the guarded closeness between separated male friends, the commrodary of shared struggle. The clear-eyed bitterness and empathetic realism in Nas’ lyrics on Illmatic is part of the reason the record is a masterpiece, but the unique creative vision and flawless execution on “One Love” make it a touchstone for urban storytelling in my eyes/ears/mind.

– NR

Nas

Editors’ Note for Issue 3

Standard

The following is the full Editors’ Note for Issue 3:

“Anxiety can either cripple or drive you.

It can drag you down like a stone, trapping you on the murky psychic riverbed to choke on seaweed and self-critique. It can be the palm that holds you underwater, screaming bubbles and scratching at the invisible force. It is the sound in the distance, the figure in the dark, the uncertainty of the answer to a difficult question. It is the thing that stops you from enjoying any taste of success by planting the thought of a more satisfying success just ahead yet unseen. It is FOMO and the neighborhood watch and small town racism and narrow-mindedness in all forms. It is the smoke break and the bitten-up fingertips and standing on the back porch at 4 am.

It can also be the motivation that forces you back to the surface, making you flap your arms until you figure out how to turn slapping hands into a doggy paddle into smooth strokes propelling you for as long as your mind muscles allow. Anxiety can feed off fear, turn frustration into fuel. It can be the foundation for great innovations, inspired music, transcendent literature. It is that thing that must be alleviated through expression, the need to take some internal pressure and spit it out into the world so that somebody else can chew on the idea for a while. It is the desire to find solutions.

The tricky conundrum is that anxiety can also suppress that expression, trapping everything inside your skull. What if what I think is stupid? What if what I made isn’t good? What if what I did isn’t important? What if people laugh in my face? What if they laugh behind my back? What if they laugh in the comments? What if nobody cares at all? Anxiety can be completely paralyzing to creativity, killing all motivation before the process has even begun. The effect can be especially fatal if the primary motivation is to create something impressive or cool in the eyes of others instead of trying to give a voice to that gnawing thought in your frontal lobe.

The real trap is allowing anxiety to breed off itself, choosing activities and developing habits that perpetuate rather than alleviate that stress weighing on your brain and strengthening that pressure pushing down from a place unseen. This seems to be the elemental basis for addiction, whether it be to drugs or beauty or success or anything else. They all appear born of the idea that acquisition or achievement of some formless, yet theoretically attainable, thing will take away the “bad stuff” i.e. the generalized anxiety associated with just being alive.

The catch of course is that if a little is good, then more must be better. And so we overdose. We want so desperately to relieve that near constant anxiety associated with not feeling good that we cease to even let the uncertainty enter our lives by developing habitual coping mechanisms. We get high. We apply makeup. We work to exhaustion. We check our phones incessantly, hoping for communication from a friend/acquaintance/news source/etc. We make sure the boogiemen of doubt and depression don’t creep into our minds by making sure every crevice is filled with entertainment or consumption or communication. We are constantly doing regardless of what is being done. Some may say we do these things to feel good, but it seems more likely we do them to not feel so bad. And there is a difference.

This magazine itself probably started as a way to relieve some anxieties we hadn’t wanted to face yet. Anxieties about achievement and value and creativity and success and death. The fear that we were just floating through life thoughtlessly, consuming without creating and, thus, feeling empty and unsatisfied. A looming uneasiness that we were stagnant, being pushed in directions we didn’t want to go because we were ourselves directionless. Neither of us had dreams of starting a literary magazine. This isn’t a career move or a resume builder. This isn’t about social capital or appearing intelligent to our peers. This isn’t self-worship. This is two lost people on a park bench. This is sure why not. This is screaming into the void.  This is the need to do something.

The pieces of writing included in this issue are great examples of why we chose literature as our something rather than another medium. They make us feel connected to the authors, the world around us, and ourselves. They are nuanced and subtle yet moving, just as the more vivid parts of life often are. They relieve some of our own existential anxieties by giving us proof that people are finding ways to live despite the ever-present pressures. They inspire us to try and do the same.

Above all, they make us feel human and unalone. We hope they do the same for you.

Kathy Klimentowski/Nick Rossi
Chicago/Nashville, October 2015″

Sobotka Issue 3 Editors' Note

Submissions for Issue 3

Standard

Submissions for Issue 3 are open until July 12th!

Please send us your poetry, fiction, and creative nonfiction!

Find full submission guidelines here.

Issue3SubmissionFlyerBW-page001

Issue 2 Available Now

Standard

Issue 2 of Sobotka Literary Magazine is available now at:

http://sobotkaliterarymagazine.bigcartel.com/product/issue-2

Sincere thanks to everyone for the overwhelming support during the process of putting this issue together. We can’t tell you how much it means to us.

Issue2FrontCoverFinal

Editors’ Note for Issue 2

Standard
The following is the full Editors’ Note for Issue 2:

“At the time this note is being written, spring has officially sprung.

As the sun begins to hang a bit longer in the sky each evening, melting the snow and seasonal depression into the softening earth, we again find ourselves tempted out of our apartments, houses, and other human habitats back into the world, moving among and around each other on city streets and country roads like ants in sidewalk cracks.

It’s been a long winter since we published our first issue, characteristically cold and grey, with plenty of time spent looking at the skeletons of trees through thick panes of glass. After months of struggling against the stir crazy, alone in our apartments in separate cities, this spring seems to serve as the type of rebirth for the two of us that it so commonly does in literature. Whether it’s the sounds of life floating in through an open window, the relief a warm weekend provides from the pressures of full-time employment, or the vitality that comes from soaking up some Vitamin D, this season teems with a sense of rediscovery and renewal that is much welcome after the duotone days of winter. We want to be back out among the other ants in our shorts and sunglasses, gathering around barbeques, back alleys, and bonfires.

It is often in these moments of human convergence and conversation that we find meaning. Not the type of meaning that comes from buying a new t-shirt or double-tapping a phone screen. The type of meaning that makes you stop looking and actually see the people around you, to move past the point of distant empathy to that of dirty, direct connection.

Curating that connection can sometimes be difficult because it can remind us of one the most basic yet buried understandings that we have as sentient animals: we as individuals are not special. We do not have Ultimate Purpose. We are not “chosen” in any celestial sense. Our lives do not inherently possess any more value than that of the dogs at our feet or the trees on our lawn. We will exist, just as the leaves on that oak, for a limited time, branching out, becoming strong, supple yet green with youth. And just as variation in nature, both inherent and external, transforms each leaf as it ages, we too take on a reddish hue or tones of yellow until finally we fall down among the others to be raked and bagged into a twenty gallon black garbage bag. The universe will not be deeply affected by our Instagram posts or our new haircuts. We are not important to the gas on a planet revolving around a distant star.

This should not depress us.

Our inherent insignificance in relation to the whole of the never-ending blackness that surrounds us is OK. Just because we haven’t been delicately painted into the scene by an Almighty artist does not mean that the piece does not possess beauty or, at very least, the possibility of such. Once we realize that our actions and reactions are not part of a predetermined final product, designed and developed towards some Higher Purpose, we are free to be inspired to pick up the brush and use our experiential palette to add a bit of our own color to the small world constantly being reworked around us. The pleasure cannot come from our product, since it will undoubtedly be amended or painted over by the next person. It is possible, however, to take pride in the idea that our addition to the mural in our tiny spinning corner of the universe may inspire a fellow or future human to connect with our experience and create their own mark alongside ours, unified yet unique.

The authors featured on the following pages used their palettes to produce pieces that vary in style and substance, but their coalescence lies in the fact that they provide distinct and deft voices to a literary conversation without end. The stories, poems, and essay included in this issue all made us feel as though we were gaining perspective into another person’s creation or conceptualization of meaning; thus, the compilation and facilitation of conversation between these works helped us construct meaning for ourselves through the minds of others.

We thank you for choosing to spend some money and time on this collection of written words. We’d like to remind you that you likely won’t find your purpose in a cereal box, your bank account, or a bottle, but you might just find it in a conversation with a friend, whether across a bonfire or in the pages of a book.

As always, we hope this makes you feel human and unalone.

Kathy Klimentowski/Nick Rossi
Urbana/Nashville, March 2015″

We send our sincerest thanks to everyone involved in the making of this magazine, whether directly or indirectly. The submissions, support, and encouragement we have received through this project has truly inspired us. We hope Issue 2 can return the favor soon. Thank you.

Editor's Note Issue 2

Issue 2 Jacket

Standard

Here is our jacket design for Issue 2!

Prose:
Margaret Duffy
Zeke Jarvis
Clyde Liffey
Stephenson Muret
Stephen O’Connor
Cynthia Reed
Mike White
K.M. Zahrt

Poetry:
Nathan Caldwell
Moriah Claud
John Grey
Kirby Jayes
Peycho Kanev
Steve Klepetar
Tyler Kline
Len Kuntz
Sydney Pacione
Richard King Perkins II
Frederick Pollack
Daniel Pujol
Amanda Rozmer
David Stallings
J.J. Steinfeld

Photography and Design:
Nick Rossi

Sobotka Issue 2 Jacket