Issue 6 Available Now

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Issue 6 of Sobotka Literary Magazine is available now here!

Thank you to everyone involved for their work, help, encouragement, and support. We are psyched to be giving these authors a platform and hope people will feel lit in their bones if they check out this issue!

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Editor’s Note for Issue 6

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The following is the full Editor’s Note for Issue 6:

One cannot walk this winding street with pride
Straight-shouldered, tranquil-eyed,
Knowing one knows for sure the way back home.
One wonders if one has a home.
– Gwendolyn Brooks, “One wants a Teller in a time like this”

What should young people do with their lives today? Many things, obviously. But the most daring thing is to create stable communities in which the terrible disease of loneliness can be cured.
– Kurt Vonnegut, Palm Sunday

I’ve come home again.

I sit in my car in the morning waiting for the engine to heat up, for my bones to stop creaking. I speed down country roads lined with cornstalks, green and strong until they are harvested or left to turn dead-gold. I drive past the cemetery where my friend’s grave is on the way to and from work, sometimes slowing down to look through the narrow gate and across rolling headstones. I ride the Metra line downtown to avoid the Dan Ryan, the one my dad took for years when he worked at Wrigley, the one that goes through my childhood hometown and Brooks’ Bronzeville, too. I walk suburban streets with my dog, I walk from the L to my friends’ apartments, I walk down high school halls, weekend alleyways, the steps to my parents’ basement. I sleep in my middle school bedroom on an air mattress. I dream of Chicago and its sprawl because I’ve come home again.

Home doesn’t always feel that way. When I left Illinois for Tennessee almost four years ago, I swore I’d never miss this place. I told myself nothing tethered me here besides family and the familiar. Graduation from college had been followed by a failed job hunt, a funeral for a close friend, and sixty-hour work weeks in food service. Lost and apathetic, I’d unconsciously distanced myself from the people and places that reminded me of my past, of myself. But I hadn’t been able to hide. I’d haunted my old campus, broken shouldered and cloudy eyed, for months until I’d moved back in with my parents to try to piece together part-time teaching jobs around Chicago. I’d felt lonely, pathetic, and out of place, no longer at home in the spots that were once mine. Winding through the suburbs and the city’s south and west sides, I wondered if I had a home.

Sobotka grew out of that emotional homelessness. Kathy and I needed something to focus on besides day jobs, and we felt we could provide a platform for people seeking that same connection: a community built not from place, profession, or past, but from words. So we started working on this project nights and weekends, with nothing but a feeling and few hundred dollars.

In the years that followed, this magazine helped create one of the most stable communities in my life. It connected me to Chicago while allowing me to explore creative opportunities in Nashville. It has provided me the space to express myself alongside artists I respect. It has introduced me to the writers, readers, editors, and bookstore owners that continue to breathe life into this magazine and other creative pursuits. It has showed me that a community can grow from a gut feeling, hard work, and a dedication to kindness.

Now, after three years away, I have come home again. This time I find comfort in the cornrows and the creak of airbrakes. I feel the magic in the streetlights, in the midnight train’s horn. The mythos of the Midwest feels present in the memories of my past, in the spine of this place, in myself. I ran from these streets at my sickest, but now I’m back having combated the disease of loneliness and emerged stronger. Time may heal most wounds, but community heals the rest. We want this magazine to be a meeting place for like minds to warm their hands and heal a bit with us from the stress and stimulus that daily life can bring. Come sit down by the fire a while. Make yourself at home.

We are proud to bring the pieces in this issue under one roof. The works here deal heavily with loss, confusion, frustration, and the search for a sense of comfort. They examine the idea of a home (or lack thereof), whether in the literal sense, in relationships, or in one’s own body. They range from the deeply personal to the slyly humorous to the bizarre, but all offer a space for the reader, whether it be a quiet seat in the corner to observe or a spot at the table for an intimate conversation. The authors within may not know for sure the way back home, but they’re willing to walk with you, to help straighten your shoulders and calm your eyes, to keep you company down this winding street.

As always, we hope this makes you feel human and unalone.

Nick Rossi
Chicago, November 2017

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Editor’s Note for Issue 5

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The following is the full Editor’s Note for Issue 5:

“When Nick and Kathy asked me if I would be interested in helping them edit another great issue of their magazine it was one of those wonderful opportunities that seem to come out of the blue, at exactly the right moment. A last second shot to force overtime. A bloop single to extend an inning.

In short, before this issue, I had been drifting from the literary sphere for quite some time. I was starting to get further from writing than I had been since before I decided to pursue a degree in Fiction six years prior, as a naive and hopeful college student. By the time I graduated college, my writing was well-practiced and a big part of who I was. I found my voice and compiled a manuscript. I edited the university literary journal. I won awards and got published. It was all coming up roses. But suddenly, after graduation, I was in the real world and everything–like every single thing–was more complicated. The routine and deadlines were gone. The feedback was harder to come by, and I struggled to put myself out there. The time to write was replaced by a full-time job. I got caught in a bad situation. And I got tired.

I had a few successes in the following years that kept the fire alive somewhat. For instance, appearing in this magazine’s debut, something I still am very proud of. And my podcast somehow managed six episodes of great content before calling it quits last July. I tried desperately to hold onto the show, but I found I couldn’t chew what I was biting off. All the while, I was kicking around on an idea for a novel, one that would never really take flight. It just turned into another thing I felt guilty about neglecting.

My passion for storytelling still seemed to be there somewhere. I’d get the itch every now and then, if a moment caught my eye. But the stories started getting buried by everything else. Work. Relationships. Financial obligations. The uncertainty of it all. I became jaded, distant, and felt like I had no answers. I started to doubt why I ever wrote in the first place.

That’s when Nick got ahold of me. I have always been a fan of Sobotka, but really I am a fan of these editors. I’ve followed their journey closely, and admire their dedication to their journal and their cause. Working on this issue and experiencing their persistence to fine-tune the content was exactly what I needed. I needed Kathy’s positivity and Nick’s encouragement. I needed to read again. I needed to write and revise this editor’s note twenty-seven times. I needed to do this. The writers and poets whose works appear in this journal should be commended for their dedication to the craft that is written word, for pursuing a duty in truth telling beyond the lens of common observer.

Because that is what writing is. It is persistence. It is revision. It is fine-tuning yourself and your reality. It can teach you discipline and show you compassion. It can grab you by the shirt collar and remind you that nothing is over until you pull it all together and finally say it’s finished.

So that is why this issue exists, and why people like Nick and Kathy make magazines.  For those of us who need the buzzer-beaters, for those who can deliver the shot. The writers and poets whose works appear in this issue have all persevered for the reader’s sake, toiling and trudging through drafts and rejections, throwing aside certain stories and poems that never seemed like they’d pan out, only to revisit them again and again until they were triumphant. They are champions of the page, and I am very happy to present the product of their labor in a physical medium that can exist in your hands.

I encourage you to acquaint yourself with the images, characters, and themes of this journal. And then I invite you to pass along what you’ve seen and what you’ve read. Share this book. Lend it to a friend. Ask for it back, and then lend it to another friend. Leave it on your coffee table, or in the back seat of your car. Tell people where to buy it, or where they can submit their own writing. Because literature is best described as a cycle. It is experience, followed by reflection, followed by expression. The cycle restarts when we come across the stories that inspire the reflecting that allows us to digest experience. It helps us laugh and cry, shudder and flex, and ultimately cope and grow. We have done our part as editors, to find these words and make them available. Now it is up to you to perpetuate the spirit of Sobotka. Now it is in your hands.

Grant Garland
Champaign, February 2017”

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Wordsmith Wednesday: J.K. Rowling’s “Harry Potter and the Sorcerer’s Stone”

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This week’s Wordsmith Wednesday comes from J.K. Rowling’s Harry Potter and the Sorcerer’s Stone.

It reads:

“It takes a great deal of bravery to stand up to our enemies, but just as much to stand up to our friends.”

Most people who have any recollection of Harry Potter are familiar with this quote. It is spoken to Neville by Dumbledore while he is passing out House points at the end of term.

Harry Potter is something I always seem to return to in times of turbulence or disorder within my life or the outside world. The story it holds is one eerily applicable to our present day. When I read this quote, I can’t help but see it as a guide to our role in this world right now. It’s a reminder of the importance of standing up for what we believe in even when it is against those who we view as friends or family. This is the moment to stand up and fight. Keep it up even when it seems, and is, tough.

– KK

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Issue 5 Guest Editor Announcement

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We here at Sobotka are excited to announce that Grant Garland will be joining us to help edit our fifth issue this winter. Grant is a graduate of the English Department at the University of Illinois at Urbana-Champaign, former editor of Montage, founder of literary podcast Middle Literate, and contributed to our first issue back in 2014. We’re proud to have him on board as our first guest editor and can’t wait to see what lands in our submission pile for Issue 5!

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Wordsmith Wednesday: Wallace Stevens’ “Gubbinal”

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We are proud to have our words this week come from friend and Issue 4 contributor, Raul Clement.

“Gubbinal” by Wallace Stevens, is exactly the sort of poem I love – one whose surface simplicity gives way, on closer examination, to a great complexity of content and possible interpretations. Here is the poem in full:

“That strange flower, the sun,
 Is just what you say.
 Have it your way.
The world is ugly,
 And the people are sad.
That tuft of jungle feathers,
 That animal eye,
 Is just what you say.
That savage of fire,
 That seed,
 Have it your way.

The world is ugly, 
And the people are sad.”

I read this as a poem about how a certain pessimistic and unimaginative outlook fails to see the wonder of the world—and in doing so, actually diminishes that wonder.

The speaker of the poem sees the sun poetically, as a “strange flower.” But at the same time, with a bitter and sarcastic resignation, he tells the unnamed “you” to “have it your way.” In other words, according to the “you,” the sun is just the sun and nothing more.

The famous second stanza, repeated at the end of the poem, should not be interpreted literally—or at least not with a singular meaning. It does not represent the attitude of the speaker, but the attitude of the “you” he addresses. Stevens might have punctuated the poem like this:

That strange flower, the sun,
Is just what you say.
Have it your way:

“The world is ugly,
And the people are sad.”

To do so, however, would have reduced the secondary meaning. The world is indeed ugly, and the people are sad—but only because of people claiming this is the case. By leaving out quotation marks, Stevens allows for this double meaning.

There is so much more to analyze—the title, the rhyme and meter, etc.—but that could turn into a ten-page essay. That Stevens manages to pack so much into so few words, and with such simplicity, is a reminder of the great power of poetic compression.

– RC

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This is a portrait of the American poet Wallace Stevens, (1879-1955). He was born in Reading, Pennsylvania, and he won the Pulitzer Prize for his in 1954. — Image by © Bettmann/CORBIS

Editors’ Note for Issue 4

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The following is the full Editors’ Note for Issue 4:

“There are few things more frightening than being alone.

The solitary entrance into your new school’s lunchroom, hands gripping the flimsy plastic tray as if for physical protection. The silent wait on your doctor’s exam table, wax paper crinkling as you squirm in anticipation of a diagnosis. The empty stage before your first solo recital, a dull hum of conversation behind the closed curtain. The walk up to the open casket with only your memories and last remarks.

While these are all moments of loneliness, and certainly anxiety inducing, they are finite and conquerable. Real terror is infinite loneliness. True social isolation. That barren horizon that appears to keep rolling along ahead, regardless of your vain attempts to slow down and seek refuge in the care of a gentle friend or the compassion of a family member. Just a sad, endless marathon to death.

The majority of the two years we’ve spent working on this magazine thus far have been spent shifting closer towards the cusp of social isolation. Whether it be moving away from home to live alone in the outskirts of a new city or sacrificing days to build a skill set in a prospective career as friends disperse, we’ve found ourselves separate and alone, searching for stability in something other than the conversations and company of our core group of friends. We’ve had to rebuild our essential communities, find our space in our respective cities and occupy it the best we could. This magazine has served as a source of comfort and familiarity through the changes these past couple of years have brought, providing us a thread to a shared past and a foundation for a connected future. It has given us a sort of surrogate community where we could engage with and share the ideas of others even when our social circles were nearing nonexistent. Basically, it kept us from feeling we were running that marathon.

We’ve learned firsthand that literature can provide the community, both of place and purpose, necessary for avoiding the intellectual black hole of social isolation. You can find solace or strength in a story that puts words to something you thought you alone felt. A poem can express an emotion or an experience in a way that gives you a kind of clarity that simple, logical advice cannot. The acts of writing and reading should be a conversation, no matter how distant or indirect. They allow you to shape your perspective in response to the presented perspective of another.

In a time when political theater and its all-too-real repercussions have become bizarrely terrifying, the solace that sentences and stanzas can give becomes an invaluable resource for those reaching for a reassurance that love, community, and beauty can still exist in the face of hate, fear, and bigotry. Literature can provide a welcome escape from reality, but, more importantly, it can shape reality into something you don’t feel the need to escape from. It can provide you that vital conversation that assures you that you’re not alone in the often overwhelming swirl of stimulus or struggle to act in the face of a seemingly interminable slew of common tragedy.

The prose and poetry in this issue creates a conversation about the comfort and conflict that human connectedness causes, providing insight into the rewards and risks of closeness. Pleasure can be a placebo. Pain can be empowering. The acceptance that life is a continuous, unavoidable mixture of the two can provide a sense of calm knowledge. All the works in this collection gave us some sort of insight into the intricacies of people, both isolated and interconnected. Every piece is done with an empathy that touches and teaches us, like talking softly with a close friend.

Ultimately, they made us feel human and unalone. We hope they do the same for you.

Kathy Klimentowski/Nick Rossi
Chicago/Nashville, June 2016”

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